Hiromi time control megaupload

El solo de guitarra es realmente de locos y en general es un tema que recoje bastante bien el concepto y la imagen del viaje a traves del tiempo.

Y tal como empieza termina este tema. Deep Into the Nigth , es un tema mucho mas calmo que los anteriores, al menos la primera parte, donde guitarra y piano se llevan el protagonismo, y donde ambos nos llevan por un viaje lleno de matices gracias a una bella melodia. Esta de mas decir el virtuosismo entregado en este tema es del mas alto nivel, sobre todo en los solos donde no solo el virtuosismo esta, sino que tambien esa pasion siempre tan necesaria en una buena improvisacion.

El siguiente tema, Real Clock Vs. Eso si, el tema en si no es dramatico ya que nos muestra la imagen de la desincronizacion cuando nos enfrentamos a una estructura rigida, tal como es el tiempo, implacable.

Musicalmente el tema es muy agil y blusero, rico en texturas y sonidos y no decae en todo su transcurso. Time and Space , un tema casi balada, de tempo medio y muuuy espacial y por lo demas muy misterioso e inquietante. Este tema nos muestra la imagen del hombre dentro del espacio, una imagen muy solitaria y lenta. Como siempre guitarra y piano son los protagonistas.

El tema que le da el nombre al disco o es el tiempo? T ime Control, Or Controled By Time rompe con esa tranquilidad que nos dejo el tema anterior, El piano entra furiosamente a romper esquemas al cual luego se le unen los demas para formar una verdadera maquina sonora, perfecta y sincronizada.

I'll post my opinion in the next few days. Album Rating: 4. Time Difference and Deep Into the Night are pretty much unhateable songs. Deep Into the Night is like the best song ever. She also loudly grunts while playing piano, which is something I did not expect to hear. Hiromi Time Control 4.

Review Summary: Not since Sleepytime Gorilla Museum have I heard people try to expand the boundaries of musical thinking in a way that was not just entertaining and fulfilling for the band, but for the audience as well. Rank: for Violent, graceful, technical and emotional are some of the labels that one may think or say when listening to a composition from this young lady. Hailing from Japan, Hiromi took up piano lessons at the age of six and was introduced to the world of jazz by her instructor not too long after.

Her musical-stylings have always touched on everything under the sun: jazz, classical, pop, funk, progressive, experimental, you name it she has probably put it to wax. All these players have an important part in twisting and altering the perception of time.

Real Clock vs. Time and Space 7. Time Control, or Controlled by Time 8. Time Flies 9. Note From the Past If it borrows her word, the music character is pursued. Or, the possibility to the music created by a minimum unit. They had the flow always calculated as a search for her music.

She tries so that may promote the flow further and may complete her original theme by her. The possibility as the music that she thought about in "Spiral" and Trio might have received one the top. The part where "Movement" and "Quietness" in "Spiral" were had both.. And, the woman who drew out the possibility as Trio enough tries to proceed to the next step. If the inquiring mind of Hiromi is considered of course, the flow that aims at the top further might have been able to be selected, too.

However, the plan and the idea that she was always considering in the flow of the activity since "Spiral" that she announced in and the cultivated idea reach this album with some necessity. The creation and the idea of the woman who reached a climax in "Spiral" started making the listener pleased to give width to the music character further with the form of the project. This album to which David Fiuczynski that participates in the recording in the debut album receives the guitar as a member and is recorded has the form of the project and the band.

David Fiuczynski is a guitar player known by the performances such as Screaming Headless Torsos and Gongzilla. Hiromi was declared to be a fan of Screaming Headless Torsos. And, it will be able to be said that the appointment of David Fiuczynski is inevitable as the idea as the band that she was drawing after it competes in the debut album.

To create the tune staring at the performance that four people do for the composition naturally, each musician's capability and ability will be tested. It is said that Hiromi will not do Improvisation to the subject for originally making the tune. It is said that the idea constructed as an impression almost completely will repeat the trial and error.

The challenge as the complete music character that Hiromi creates might continue exactly. The theme of "Spiral" was a content to make the element of the wave exactly repeated, the life, and the impression in space an embodiment. And, "Time" is included as a theme in this album. People are differences at thinking time and time. Or, it is expressed as an album with the part where the element to make life and the change of people who unconsciously process time an embodiment as music has been given.

Ensemble of the band has the flow considerably calculated. The sound of the keyboard also continues her originality.

And, the conversation of responding keyboard and guitar will have width as a new possibility as the band. It is.. However, the originality of Hiromi appears everywhere.

The performance of the band that answers Ad-Rib of the guitar also contributes well. It carries exactly out the function as the band by introducing the guitar. A progressive element is strongly put out as complex development twining. The progress of Chord twines round the impression that Jazz is good the flow of Fusion well and gives the tension. The tune might be completely calculated as a composition as the band. The piano and the guitar in close relation to legato fast continue the dash feeling.

The flow of the chromatic scale has acted well as an impression of the tune, too. The part as Jazz has been strongly considerably put out.

The music character of Hiromi that bases the experience as Trio might act well. The width of the tune extends further with the flow pulled with the part of Fusion that the guitar is good.

Twining of the guitar processed by the effect and the piano of "Real Clock vs. It is a tune where the originality of Hiromi was expressed enough while having both the part of the complexity and the humour.

The creation of Hiromi by which this tune also stared at the sound as the band has acted well. However, the band is given original development everywhere and progresses.

It is a tune where the element as the band with a variegated sound was expressed well. The flow that shifts from the flow of an overwhelming unison to Solo of Bass has succeeded as a tune, too. And, it might be a part where Solo of the drum also played the role as the band enough.

The flow of an advanced tune exactly contains the possibility of the band enough with development to which the forecast doesn't adhere. It is a tune where the sound of the keyboard that "Time Flies" is variegated appears. The processing of the sound of a beautiful piano and the keyboard might be along the theme of the album. A good guitar for the flow with the anacatesthesia twines with the piano.

The flow that the sound of the band twines round the flow with the anacatesthesia in union will call impression. The flow that plays the role of Outro gives reverberations to the entire flow of the album.

The challenge to the music of Hiromi was made an embodiment further by the form of this project. Very important is presence of guitarist David Fiuczynski on this album. Classically trained, with her roots in jazz, Hiromi found excellent partner for her piano sound. Very balanced mix of keyboards or sometimes piano and rock-edged guitar gave fresh and very pleasant feel to the music on this album.

In fact, deeply based on great fusion school of s Chick Corea, first of all , this music is just modern reincarnation of fusion golden age. It's a very rare today successful mix of tradition and modern sound. As I mentioned above, the music there is a modern classic of jazz fusion, so don't expect to find there experimentation. But it is real gem for lovers of classic fusion, and possibly one of the greatest work of quality mainstream fusion of last decade. When I first saw a photograph of the undoubtedly beautiful keyboardist, I honestly thought she played pop music.

That was my idiotic mistake. I judged by looks before ever hearing a single note of her music. Somewhere along the way especially in US culture it became a general consensus that attractive people don't make 'serious' art, while average-looking folks are the true hard workers. It's a very ugly attitude to hold, and I found myself guilty of outwardly displaying it in this case as I visibly did a double-take after seeing this woman in action for the first time.

She's incredibly skilled, and what's more, she writes great music. My previous paragraph was not intended as a slight to the Pop genre at all, but rather the 'popular' music of the time. We currently live in an era that ostracizes quality from quantity in a way I'm not sure has ever been more severe. Much more time is spent in selling faces and merchandise than the music itself. Pop music as a genre has its strengths and its weaknesses, and the best of it will always survive.

But the concept of good-looks and bad music being mutually exclusive is something I often fall victim to, so i wanted to take the time to apologize to Ms. Uehara for my initial and wrong reaction to her image. Back to the music. This is Hiromi's fourth studio album, and it's being played as an ensemble titled ''Hiromi's Sonicbloom''.

The album starts off with the absolutely phenomenal ''Time Difference''. It's a track that begins with some classically-tinged lone piano, and soon David Fuze's guitar comes in and joins the piano. These two instruments carry on in unison until the rest of the band breaks in, and the song truly takes off.

The marriage of technical prowess and musical passion is so perfect, mere words couldn't begin to do it justice. Just listen to the song yourself The live version is even better!